SINNERS MAKE ART
PHOTOGRAPHY
PHOTOGRAPHY - 2025 - DIGITAL
WHO IS HE?
031425 a name mysteriously scrawled across Victoria’s urban landscape. This project explores obsession, authorship, and the archive The immersive wall piece functions as both documentation and shrine. Hundreds of inkjet-printed photographs, all featuring iterations of the “ROGER” tag, are tiled floor-to-ceiling to form a dense visual field. The repetition becomes a form of fixation. Each tag feels at once anonymous and intimate, public and personal. a question: who is Roger, and why is he everywhere? a visual manifestation of obsession, a kind of urban pattern recognition that speaks to both surveillance and affection, the city becomes a canvas. What does it mean to see someone everywhere but never truly know them? Printed photographs, city documents, handwritten annotations, and speculative notes are ring-bound in a format that encourages tactile interaction. As viewers flip through the pages, they join the artist in the act of hunting and mapping Roger’s movements. This journal blurs boundaries between photography, zine culture, and investigative fieldwork. It positions the artist not as a passive observer but as participant in an unfolding mystery one where the subject is always just out of reach. The inclusion of imperfect images, overlapping scribbles, and raw thoughts suggests a practice that values process as much as outcome.
PHOTOGRAPHY - 2024 - DIGITAL
BLANKET AND ME
112824 Installation, matte prints, digital After a meditation session I held some guilt for an interaction I had with my great grandmother. this happened inside my minds meditation. It sat heavy on me though. I felt the need to be vulnerable and Chanel her through the blanket she gave me as a newborn.
POUYA AT GREYDAY
092324 Pouyas performance at Greyday
MARY JONES SODA
0724 Digital images taken on my Canon T6i that I had just gotten
ROGER BIKE RACK
040224 Laser prints Working with my obsession with Roger displaying as an urban intervention. The layered prints replicate and amplify the ephemeral nature of graffiti, drawing attention to the ongoing negotiations between public space, authorship, and visibility. By methodically pasting multiple copies of graffiti imagery, the work explores the boundaries between spontaneous mark-making and structured intervention, raising questions about the institutionalization of street art. The installation interacts directly with its environment, engaging passersby in a dialogue about the role of unsanctioned visual culture in urban settings.
MEXICO POSTCARDS
0224 Digital Photo Manipulation Inspired by how when you travel after you leave your destination the memories start to fade and blur together.
MEXICO
0224 Images from Puerto Vallarta Mexico. A place that greatly inspired me.
SMOKING MIRROR
0124 Semi gloss prints Thinking about how smoking alters reality and shapes things differently. High contrast relating to the affects felt after getting high.
MIRROR BACKROLL
0124 Extra Imagery from the Smoking Mirror photoshoots
BURN HERB
0324 Photos for the Burb Tuscany instagram
MADCHILD
0523 Images from Madchilds concert
AFROMAN
0423 Images from Afroman Concert
PHOTOGRAPHY - 2024 - FILM
WATER DAMAGED FILM
042024 Recovered Water Damaged Film
ROGER FILM
1024 Experimentation with different techniques developing film and creating prints in the darkroom
PHOTOGRAPHY - 2023 - DIGITAL
THE BENCH
0223 Digital This project is to capture the different people who use The cannabis smoke bench. It displays the Inclusivity of the space and how Its a space for anyone
PHOTOGRAPHY - 2023 - FILM
FILM BENCH
point and shoot film 0223 This project is to capture the different people who use The cannabis smoke bench. It displays the Inclusivity of the space and how Its a space for anyone
MATTHEW
0523 Expired Film The first roll I used on my Pentax Spotmatic. Just learning how to use that piece of machinery.
FILLORY BLACK & WHITE
1023 Shot and developed by me